Modern technology for classical guitars: various structures such as double tops and raised fingerboards are explained

クラシックギターのダブルトップ表面板の構造 Musical Instruments

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It is said that Torres created the basic structure of today’s classical guitar. It is true that the basic structure is based on that, but new production techniques are being introduced little by little. I’d like to introduce you to these new generation production techniques.


One of the most major new production techniques is the double top. Matthias Dammann and Gernot Wagner are said to have been the first to develop this production technique.


On the other hand, double top, as the name suggests, is made of two boards laminated together. In this sense, it is not a veneer but a plywood.

Structure with a strong structure sandwiched between thinly shaved wooden boards

It is common to put some kind of structure between the two boards instead of simply laminating them together.

Inside the surface of a double top guitar
From Asturias’ website.

In the photo above, a material called NOMEX from DuPont is sandwiched in between. This material is a strong fiber and is resistant to humidity.

The thinner you cut the wood, the easier it is to vibrate, not just for classical guitars. However, the thinner you make it, the weaker the board becomes.

With a double top, it gets both strength and ease of vibration by putting a strong structure between the thinly shaved boards.

Difficult to build

It seems so easy to shave the board thinly and put something in between. But it is not true.

First, it is difficult to put the structure precisely between two straight boards and stretch them together. If it floats even a little, it will interfere with vibration and cause noise, so it requires an elevated level of skill.

Also, as you can see in the picture above, the structure is not simply placed between two thin boards. It is common to shave off only a part of the board to put the structure in, and the sound varies depending on where and how big it is put in.

For this reason, the sound of a “double top” is not generally the same.

Also, the type of wood, spruce on the top and cedar on the bottom, and the bracing can also change the sound.

It seems to be quite a deep structure like this.

Capable of building loud guitars

The most important advantage of the double top guitar is the volume.

The thinly shaved plate vibrates greatly and can generate a large volume.

On the other hand, some people don’t like the sound of a double top because it sounds different from a traditional guitar. Some people say its projection is not good.

Either way, it’s a technique used by many of today’s top professional guitarists.

Enhanced Wood

This is a new method of sound board developed by the German maker Sebastian Stenzel.

Enhanced Wood

He claims that this solves the problem of the lack of projection of double top guitars.

See the following article for more details:

Raised fingerboard

A raised fingerboard, as the name implies, is a guitar with a raised fingerboard construction.

Side view of the guitar with the raised fingerboard
From the website of Kono Guitar Manufacturing


I also use this type of guitar:

It’s not simply the fingerboard lifting

The point of a raised fingerboard is that it doesn’t simply extend the neck and lift the fingerboard.


The structure of a normal classical guitar against a raised finger

On the other hand, here is a wrong image of a raised fingerboard that is often mistaken:

The Wrong Raised Fingerboard Image


The correct raised fingerboard construction looks like this


The relationship between the back and side panels and the fingerboard is the same as on a regular classical guitar. This means that the positional relationship is the same as when you play a normal classical guitar.


One of the most popular benefits of raised fingerboard construction is that it makes it easier to play in the high position. However, this is actually a secondary effect.



There is also a way to make the fretboard and the surface plate not touch each other

In addition, some of them havefloating fingerboards from the sound boards.

When the sound board and fingerboard are glued together, that area does not vibrate. But by floating it, a larger area can be made to vibrate.

Difficult to build, the player misjudges the position

Raised fingerboards are also said to be more difficult to make than normal guitars. The neck, which is usually stored inside the body of the guitar or just in contact with it, has to be exposed, and the side panels have to be slanted, so the degree of difficulty is probably higher than for parallel fingerboards.


For this reason, only Thomas Humphrey, who is said to have been the first to use the raised fingerboard, and Sakurai in Japan use the raised fingerboard, while the rest use the half-raised finger, which has a relatively small lift.

The structure with a small lift seems to be rather used in recent years.

Lattice bracing

Lattice bracing is also known as waffle bracing.


From This is Classical Guitar

This structure is called fan bracing. In this fan bracing, there are various devices such as asymmetry and number of fun bracings by each maker.

Lattice bracing, on the other hand, has the following bracing arrangement:

From This is Classical Guitar

It gets its name from the fact that it looks like a gardening divider or a waffle.

It is said to have been first developed by Greg Smallman in Australia.

For your information, there are many other types of bracing.




For this reason, not only wood but also carbon fiber is sometimes used as a material for bracing.

Lattice bracing = not a Smallman structure.


From This is Classical Guitar


By doing this, it is trying todirect all the vibrational energy of the strings to the sound.

We don’t know if they adapt A-frame or if they simply use lattice shaped bracing. As you can see, Smallman construction can be very heavy, so a guitar with non-heavy lattice bracing is not likely to be Smallman construction.

However, guitars with the Smallman construction have a unique tone due to the above characteristics. Some people find the Smallman tone unacceptable.

Sound port


For example:.

From This is Classical Guitar

The position, shape, and number of holes are various, and some of them can be covered with a lid.

Can hear the sound players made.


However, with a sound port aimed at the player, the sound can be as close to what the audience is hearing as possible.


What about all the talk of better treble sound and volume?


On the other hand, from Smallman’s theory, it would be concerned about the effect on volume if there are holes in extra places. I haven’t heard of anything extremely small, and many luthiers have sound ports, so you may not have to worry about it as much.

Acoustic tube

ラファウ・トゥルコウィアック(Rafal Turkowiak)というポーランドの製作家が採用している、ネックに穴を開けることで音を改善しようとする試みがアコースティックチューブです。

Acoustic Tubes for Guitar

This improves the sound transmission by 20%.

Probably not just a hole in the neck, but also a hole in the sound board to allow sound to pass through.

By the way, they have a patent on it.

Arch back

A classical guitar usually has a straight back plate. This is made by cutting the wood into thin strips, but the archback is made by cutting a thick piece of wood into a curved surface. This is the same production method used for violins.

The advantage is that the sound reflected from the back plate is concentrated in the sound hole, like a parabolic antenna, which is said to increase the volume.

The disadvantage is that the curved surface increases the area, so the guitar becomes heavier.

(P.S.): I received an opinion from a reader that it is common for acoustic guitars to simply have the board lightly bent into an arch shape, which is called an arch back.

Trans-acoustic guitar



The following article was previously published:


P.S. It seems that only the line out can adjust the volume…



I hope this article helps you choose from a vast array of options.

The big difference with smartphones and computers is that the latest technology isn’t always the best.

Everyone has different tastes, some people like 19th century guitars, others like the sound of a double top.

However, when you are thinking about which guitar to buy from a huge selection of guitars, this kind of knowledge will make your choice easier.

I hope that new techniques will still emerge and the classical guitar will continue to develop.

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